1Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus I2Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus II3Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus III4Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus IV5Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Canon II, alla ottava6Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Canon III, alla decima in contrapunto alla terza7Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Canon IV, alla duodecima in contrapunto alla quinta8Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus VIII à 39Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus XI à 410Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus X à 4 alla decima11Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus IX à 4 alla duodecima1Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus V2Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus VI à 4 in stylo francese3Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus VII à 4 per augmentationem et diminutionem4Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Canon I, per augmentationem in contrario motu5Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus inversus XII à 4, forma recta6Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus inversus XII à 4, forma inversa7Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus inversus XIII à 3, forma recta8Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus inversus XIII à 3, forma inversa9Die Kunst der Fuge, BWV 1080 (Arr. F. Graef for Saxophone Quartet): Contrapunctus XVIII à 4 voci, rectus10Freie Improvisation im RaumListen to full