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Walton / Rawsthorne / Berkeley / Tippett / Britten: British Guitar Music Anders Miolin

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1 5 Bagatelles: I. Allegro 2 5 Bagatelles: II. Lento 3 5 Bagatelles: III. Alla Cubana 4 5 Bagatelles: IV. Quaver = 126c. 5 5 Bagatelles: V. Con slancio 6 Elegy*: Elegy 7 Guitar Sonatina, Op. 52, No. 1: I. Allegretto 8 Guitar Sonatina, Op. 52, No. 1: II. Lento 9 Guitar Sonatina, Op. 52, No. 1: III. Rondo: Allegro non troppo 10 Theme and Variations, Op. 77: Theme: Moderato 11 Theme and Variations, Op. 77: Variation 1: Allegro 12 Theme and Variations, Op. 77: Variation 2: Allegretto 13 Theme and Variations, Op. 77: Variation 3: Lento 14 Theme and Variations, Op. 77: Variation 4: Andante 15 Theme and Variations, Op. 77: Variation 5: Allegro 16 Theme and Variations, Op. 77: Variation 6: Lento (Epilogue) 17 The Blue Guitar: I. Transforming: Medium Slow - Slow 18 The Blue Guitar: II. Juggling: Very Slow 19 The Blue Guitar: III. Dreaming: Fast 20 Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: I. Musingly 21 Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: II. Very agitated 22 Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: III. Restless 23 Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: IV. Uneasy 24 Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: V. March-like 25 Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VI. Dreaming 26 Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VII. Gently rocking 27 Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VIII. Passacaglia 28 Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: IX. Slow and quiet Listen to full